Complete Issue
Mar 1978
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March 1978
CONTENTS
READERS' FORUM
PEOPLE
ZOROASTRIANS ABROAD
THE THIRD WORLD. CONGRESS
A Communal Catharsis
A MATTER OF REGRET
1^2 ia
Vol. 2 No. 3
3
10
17
21
27
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COMMENT: IMPRESSIONS OF THE
CONGRESS
by Asphandiar D. Moddie
OUR FAMILY? REVIEW AND INTERVIEW
by Jeroo Gorimar
VIEWPOINT: WHAT'S COOKING?
ART
IN MEMORIAM
LEARN AND EARN: Z QUIZ 5
COMMENT: SAHEBJI, HELLO
by Ratan R. Marshall
Parsiana cover: The Breakup of The Federation
by Raobail
31
34
38
44
46
49
51
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hREADERS' FORUM
to make. Firstly, the proceedings of The organization of the Third World
the Congress should be widely cir- — - -
culated among Zoroastrians both in
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A -ft —
Readers' views are welcome on any
subject of interest to the community
and should be sent to The Editor,
Readers' Forum, Parsiana, G.P.O. Box
892, Bombay 400 001. Letters are sub
ject to editing for reasons of space and
clarity.
Zoroastrian Confess was excellent,
— with the proceedings conducted in a
India and abroad so that those who business lUce manner and the majority
were not able to attend, can know of
the aims and objects of the Congress
and its achievements.
A conference for Zoroastrians be
low 30 years of age, from India and
abroad, on the lines of the Congress,
should be arranged to discuss the
religious, educational and vocational
problems of the youth. Such a con
ference should be managed and con
ducted by young people, and renown
ed members of the community
should be invited to speak.
There was not sufficient time at the
Congress to discuss the problems of
each regional anjuman. An annual
conference of the local anjumans or
panchayats should be held, to discuss
their particular problems and seek
solutions.
There should be a rapport between
the trustees of the Bombay Parsi
Panchayat and the Parsis of Bombay
so that the good work done by the
Panchayat may be known to the com
munity and suggestions for improve
ment in the working of the Panchayat Bombay Parsi Panchayat withdraw
can be communicated to the trustees from the Federation of Zoroastrian
and implemented by them if practical Anjumans. It seems to me that what
and useful. stung them was the consensus among
Bombay’s Parsis regarding the Pan-
chayat’s alleged inefficiency. A spirit
ed reply was given by Trustee Jimmy
Gazdar when he said, and I quote
from memory, “If we are such ‘old
fossils’ and ‘museum pieces’, why
don’t some of you get together and
work out a legally feasible scheme
which the Panchayat can adopt. I
will be the first to step down if
necessary.’’
There is still a misunderstanding
among certain Parsis that the Third
World Zoroastrian Congress cost
“lakhs of rupees.” It is heartening to
recall the announcement made at the
concluding session of the Congress
that the Rs 25,000 paid by the Bom-
of written papers carefully thought
out. Those professional men and
women who spoke from the floor
made good, concise speeches- Others
were inclined to ramble. On the whole,
however, I found the speeches ve^
instructive. For once, Zoroastrians in
India were able to see themselves in
the perspective of Zoroastrians in
different parts of the world.
As a Parsi living outside Bombay,
what distressed me most was the
severe criticism of the Bombay Parsi
Panchayat by the Parsis of Bombay,
both young and old. I recall one
young entrepreneur saying that he had
applied for funds to the Bombay Parsi
Panchayat to buy a three-wheel van
to start a small business. It took the
trustees two years to reply to the
application in the negative!
. It is naive to assume that the cri
ticism of a single individual, such as
Shiavax Nargolwala, or of several
individuals, made the trustees of the
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B. H. ANTIA
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Zoroastrian Congress
Having attended the Third World
Zoroastrian Congress held in Bombay
early this year, I have the following
suggestions to make for the next Con
s’’®®®- In spite of the presence of an
To accommodate such a large appreciable number of delegates from
gathering, the Congress should be held Iran at the Third World Zoroastrian
in an open area such as the Cooperage Congress, not a single paper was read
or Cross Maidan in Bombay. Each ' -
panchayat should be asked to present
a report on its activities from the
time of the Third Congress to the
on the magnificent role played by the
civilization and culture of Mazdayasna.
Parsis should not forget 4iat
Fourth as well as their objectives for Persian Sufi poets, such as Firdausi,
the future. Dasturs and mobeds “
should be invited to attend the Con
gress and not be required to pay any
fee. Students too should be encourag
ed to attend at a nominal fee of one
or two rupees.
Peraian language in preserving the
Parsis should not forget 4iat
Nisami, Sa’di, Haafiz, Rumi and
Omar Khayyam, have immortalized
the teachings of our faith in their
works. For example, the Shah Nameh
is a majestic illustration of the
philosophy of the triumph of good
over evil; Gulistan, Boostan, and the
Band Nameh are charming com- . -
pendiums of the morals and ethics of Pnrsi Panchayat and the Rs 20,000
Mazdayasna; the odes of Sa’di and paid by the Surat Panchayat would be
Haafiz and the couplets of Rumi are returned to both bodies as the Con-
_ __ _ ___ ___ _ brimming with the mysticism of gress had paid for itself because of
their views and to understand their M^dayasna.
problems. After hearing various
speakers, we have become aware of
our shortcomings in various fields and
have now chalked out the strategy for
the future.
However, I have four suggestions
PURVEZ BOYWALA
The Third World Zoroastrian Con
gress recently held in Bombay has
given us an opportunity to meet our
fellow Zoroastrians from different
parts of India and abroad, to know
the massive enrollment.
Another criticism is that “no posi- The incomparable classics of these
poets saved Mazdayasna from being tive good” came from the Congress.
wiped out in Iran, and inspired our - - _
heroic forefathers to preserve their
culture and integrity in India.
BAHMAN S. SURTI
Secunderabad
I beg to differ. For example, the Exec
utive Committee of the Federation of
Zoroastrian Anjumans had agreed
that there would be no resolutions
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Iform such a body and have it affiliated
to the United Nations by 1981. If the
“silent doers” continue to work
silently for the next three years, there
is no reason why the Fourth World
Zoroastrian Congress should not have
passed at the Congress, yet the follow
ing active committees were formed:
the Liaison Committee to help
organize the Fourth World Zoroastrian
Congress to be held in Iran in 1981;
the Farsi Youth Committee for self
help and publicity; the Committee even more positive results than the
for the establishment of a Zoroastrian third Congress.
Community Centre in Bombay and
the Standing Publications Committee
with representatives from Zoroastrian
anjumans at home and abroad. This
committee has already planned its
first series: Our Religion. The first 16-
page booklet with coloured illustra
tions, is named Zarathushtra and is
seeking a publisher. The booklet is
for five to seven-year-old children and
is based on material supplied by the
Zoroastrian Association of Metropo
litan Chicago. The next booklet, on
the navjote, is also underway.
There were other committees for
med by ’’silent doers”, to quote the
happy phrase of the announcer, but
I cannot remember these at the
moment, not having the full report of
the Congress before me.
The formation of a World Zoroas
trian Organisation, affiliated to the
United Nations, is also very important.
I sincerely hope that the “silent doers'
among the Zoroastrian associations
and anjumans abroad will get together.
PILOO N. JUNGALWALLA
New Delhi
Sindhi World Meet
We read in the newspapers that the
Sindhi community was to hold a World
Meet in April 1978. Being primarily
a business community, the first item
on their agenda is an industrial ex
hibition. Indeed a trump card for
prosperity.
At the Third World 2Loroastrian
Congress, the Parsis laid more empha
sis on religious controversies. As
Ambassador Nani Palkhivala rightly
said on another occasion, “The prob
lems facing our community are so
vast, the poverty is so great, the task
of educating our younger generation
is so immense, that if our time and
energies are frittered away in useless
controversies, no time and energy
would be left for the problems and
tasks of the day.”
It is high time that the leaders of
our community take action on the
economic front.
DINSHAW BEHRAM IRANI
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"The Big Lie"
The trustees of the Bombay Farsi i
Panchayat have withdrawn from the
Federation of the Farsi Zoroastrian J
Anjumans of India on the grounds
that “the Federation has not served (
any useful purpose.”
The community expected from the j
trustees a thoughtful and sensible
reason for withdrawal from the
Federation. The only proper and
sensible reason for non-withdrawal
from the Federation was given by a
solitary, impartial trustee. All honour
to him.
SOHRAB A. KALYAN
{Parsiana,
I was greatly disappointed by your
article, “The Big Lie” (Parsiana.
Feb’ 78). A paper has to give
. .. “ 3
Do
It should not have to discuss the “pros
and cons” of any controversies.
D. B. IRANI
"What ’s Cooking?"
The first recorded account of a
wedding reception in Bombay is
found in Mumbai-no Bahar. Rustamji
Dorabji Patel, ^n of Dorabji Nana-
bhai (who was the first Farsi to have
come to Bombay from Sumafi in 1640
when Bombay was in the hands of
the Portuguese), had four sons
With Compliments
From
Tata Textiles
Bombay House
24, Homi Mody Street, Fort
Bombay 400 023
5I
Cawasji, Dorabji, Kaikhushroo and
Tehmulji. In 1761, Rustamji’s two
eldest sons married and according to
the custom of the day, spent a large
sum of money to celebrate the happy
occasion. The madavsara (pre-wedding
ceremonies) celebrations and feasts
lasted 26 days. Rustamji also dis
tributed sugar in Surat, Sumari, Mora,
Adajan, Dumas and Billimora and
there too feasted large numbers.
It was not only customary to feast
community members at wedding re
ceptions. In 1795, when the son of
the governor of Bombay, Sir Johna
than Duncan married, Rustamji’s son
Cawasji sent half a ton of dried Bom
bay duck and 30 dried pomphret to
the governor as a wedding gift.
In the 1850’s, Sorabji Cursetji Pavri
was a popular caterer. There was no
Albless Bang then and Kaikhushroo
Bhoot, our present elderly caterer was
not even bom. Wedding celebrations
used to take place at the Maneckji
Seth Wadi which disappeared to make
way for Sir Phirozshah Mehta Road.
The cost of a patra then averaged
14 annas to one and a quarter rupees,
depending on the guests expected at
the reception. If the guests included
members working in the docks and
the textile mills, Sorabji would raise
the cost by two to four annas, as they
usually consumed more liquor and
food. Sorabji also had to send from
20 to 40 langries (vessels) of custard
to special guests of the hosts.
And while catering today may not
require a lot of capital, in Sorabji’s
times, furniture and utensils were not
available on hire and it was also the
responsibility of the caterer to provide
the dholis and nagarawalas (drum
mers).
But the most difficult part was the
collection of the bill. A few days
later when Sorabji called on the
happy household with the bill, there
Were the usual complaints that
peramni (gifts) had been not good or
as expected, and Sorabji ended up
accepting many discounted bills.
In 1896, Sorabji passed away, totally
broke.
i
JAMSHED K. PAVRI
Vancouver, Canada
Learn and Earn
In the answer to the question, “How
many A tosh Bahrams are there in
India?” (“Learn and Earn” Parsiana,
Oct.-Nov. ’77), the year 1894 is given
in brackets next to the Iranshah Atash
Behram. As there might be some
confusion I would like to point out
that 1894 is the year of the construc
tion of the building the holy fire
Iranshah is housed in and not the
date of the consecration of the fire
itself. The fire was consecrated ear
lier and transported from place to
place due to unfavourable circum
stances before being brought to
Udvada.
RUSTOM P. MIRZA
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Legitimate Rights
Inter-communal marriages will con
tinue in every country and do not
necessitate divisions in the family life
of those who contract such marriages.
The question that remains to be sol
ved is whether our community will
concede the fact that a marriage has
taken place and that it has been
legally contracted; that children of
lawful marriages are always deemed
lawful; and that the children having
committed no wrong by being bom,
cannot be denied the rights of a
navjote by a mobed or dastur.
If a priest were to refrain from per
forming the navfote of any child of an
inter-communal marriage, then a
Parsi Zoroastrian layperson
undertake to invest the child with a
sudra and kusti if he is satisfied
that the child is conversant with the
kusti prayers, Sarosh Baj, Din no
Kalmo and Tan Daroshti. Our
religion allows any Zoroastrian to
perform the navjote ceremony for a
child bom of a Zoroastrian mother
and father. Such a Parsi Zoroastrian
may also invest any person above the
age of 15 with the sudra and kusti if
the person is conversant with the
prayers. These are not reforms but
the legitimate rights of every Zoroas
trian mother and father and such
rights cannot be taken from them by
priests.
F. RUSTOMJEE
Colombo, Sri Lanka
Mr Rustomjee, author oj The Daily
Prayers of the Zoroastrians and other
books, expired recently in Australia.
Towering Inferno
The majority in any community is
usually poor and therefore, all re
ligious customs should be made to
suit their pockets. Electric crema
toriums are expensive to install and
maintain. Therefore, there should not
be a separate crematorium for Parsis.
Those who wish to be cremated can
be taken to Chandanwadi instead of
doongerwadi, if they so state in their
last will and testament.
M.K.PATEL
The Dokhme nashini method of dis
posal of the dead, in present times, is
neither economical nor expedient.
The cost of disposal of the dead by
an electric crematorium at Chandan-
wadi in 1973 was about Rs 25 per
adult, whereas at doongerwadi it was
over Rs 300.
RUSI B. PASTAKIA
Jamshedpur
Directions, please
While performing the kusti, the kusti
is to be cracked (like a whip) towards
the north, with the right hand. This
right hand position is satisfactory
while facing east from 6.00 hours to
12.00 hours local time. It is difficult
or well nigh impossible to crack the
kusti towards the north while facing
west with the right hand. It is felt
that the cracking of the kusti with
the left hand, between 12.00 hours
and 18.00 hours and facing west,
would be the best under the circum- s
stances.
May a ruling be given on this point? f
K. D. CHARGEMAN
How about north by northwest?
Speak Out
Parsiana should carry the views of
community members, young and old,
on controversial subjects such as the
disposal of the dead, conversion of
non-Parsis married to Parsis,* navjotes
of children with one Parsi parent,
etc., and not let sleeping dogs lie.
Ms. A. K. PRESS
Calcutta
Pristine Parsis
The first item on the list of problems
facing Parsis today is the reported
decrease in numbers due to late
marriages, emigration and mixed
marriages. The main objection to
mixed marriages is that they will
ultimately lead to the extinction of
the good qualities for which Parsis
are famous and which have kept the
community and the religion alive in
spite of various vicissitudes.
The champions of mixed marriages
have not as yet satisfactorily answer
ed this question—if all human beings
belong to one family, why did God
not create all human beings as of one
pattern, one colour and one trait? It
would be better to die nobly of one
stock on account of decreasing num
bers than lose the precious qualities
of charity, enterprise, tolerance and
adaptability that the Parsis are endow
ed with (no disrespect is meant to
the other peoples of the world).
The other argument against mixed
marriages is the consequences they
heap upon the iimocent children of
such marriages who are invariably
tom between two cultures, two
religions and two societies.
7The practice of not permitting non- ff
Parsis to see a dead Parsi’s face after
a certain stage of the funeral
ceremony, originated in an attempt to
preserve the purity and solemnity of
the ceremony when Parsis began liv
ing amidst the different peoples of
India. It is doubtful if a reasonable
non-Parsi would insist on breaking
this custom.
Although Zoroastrians only number
about 1,30,000, we see no danger to
the survival of the religion as long
as it is faithfully followed by its
adherents. After coming to India the
Parsis began to observe many of the
religious practices prevailing here. In
spite of education and the work of
reforming bodies, the practice of
worshipping Hindu, Muslim and
Christian saints and deities continues.
This dual loyalty to one’s own faith
as well as to that of others results
from a lack of knowledge and con
fidence in one’s own religion. When
a person takes the easiest course of
appeasing the god or goddess of a
calamity, they forget that the Creator
can never be bribed by offerings or
sacrifices. A true Zoroastrian, in
such circumstances, would keep faith
in God and let Him do what is pro
per for him. As Zoroaster says in
his Gathas, “Ahura Mazda is the
Judge; as He Himself would will, so
let it be.'
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P. P. BALSARA
Warden is good
For sandalwood
Head Office
378 Grant Road
Bombay 400 007
and Branches
Tel. 371464
Quality sandalwood
Aggarbatttes, gum benzoin
(loban) and other
Perfumes
A A"
With Compliments
from
EMPIRE
ESTATE
Liberty Building
41/42 Marine Lines
Bombay 400 020
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kPEOPLE
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In Memory of J. N. Tata
A memorial centre to honour India’s
pioneer industrialist, Jamsetji Tata
was inaugurated at his birthplace, Nav
sari on 21st March by Prime Mmister
Morarj i Desai.
At a gathering which included the
descendents of the Tata family, direc
tors and top personnel of the group,
the chief minister of Gujarat, Babu-
bhai Patel and other notables, the
prime minister said that Tata had put
into practice the principles of the trus
teeship of business years before they
had been enunciated by Mahatma
Gandhi and that the tradition of hold
ing income in trust for the benefit of
all communities and good causes had
been continued by his heirs. “At a
time,’’ Desai noted, “when the other
minorities are asking for so much, the
Parsis have never asked for anything
for themselves.
The sleek, modern structure, a
short distance from the house where
Tata was born 139 years ago, has at
its core a centrally air-conditioned,
896-seat auditorium designed for
both film and stage presentations, with
the latest technical equipment; there is
also a smaller hall with a capacity of
200 which can be used for either meet
ings or exhibitions and a library con
taining literature in Gujarati and Eng
lish.
The Centre, built largely from
money given by various Tata concerns
and individuals, also received from the
Mafatlal family, five lakhs for land
scaping of its seven acres and a lakh
from the Navsari municipality; the
land has been leased by the govern
ment of Gujarat at a nominal rupee a
year. Future plans for the multi-pur
pose Centre include a Bal Mandir
(children’s centre), playground and
possibly facilities for sports such as
tennis, volleyball and swimming.
The Centre commemorates Tata’s ............. .
belief in a constructive philanthropy ^ssibifities for tragedy,
which does not only aid the weak and - -
helpless but, in his own words, “lift(s)
up the best and the most gifted so as
to make them of the greatest service
to the country.” In the care of the
J. N. Tata Memorial Trust, the Cen
tre is the latest in a long line of trusts
and foundations which own the bulk
of the wealth gathered by the House
of Tatas over four generations. The
endowments have helped set up,
among others, the Tata Memorial
Hospital and Cancer Research Insti-
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The Tata Memorial Centre in Navsari: “a constructive philanthropy
tute, the Tata Institute of Social
Sciences, the Tata Institute of Funda
mental Research and the National
Centre for the Performing Arts.
which is not an English rhythm. There
is no literal translation anywhere. It’s
a kind of English no one would actu
ally speak. It’s an artificial language
but it’s necessary if the characters are
not to sound unreal and stilted.
In the stage directions I have said
that the characters must dress and act
in the farcial manner of an Adi Marz
ban play. But the theme is serious.
You could call it Adi Marzban upside
down.”
Doongaji Hall
Doongaji Hall, a play of a Parsi family
on the decline, won 21-year-old play
wright and short story writer Cyrus
Mistry the Rs 5,000 first prize in the
Sultan Padamsee Drama Awards Com
petition. The bearded Wilson College
student, who is also the short stoty
editor of Debonair magazine, noted in
an interview with Eunice de Souza in
The Economic Times that this was his r ------ -
first full-length play. “I’d like to de- director of Buckau Wolf New India
emphasize the fact that it is about Engineering Works Ltd., one of t
Parsis,” he stated in the write-up. “It country’s premier sugar machinery
is closely applicable to any minority manufactunng units. A 20-year veteran
community. I’ve always been interes
ted in the Parsis as a disintegrating
community with illusions about its
past glory. I think it is a tragic situ
ation, and to the extent that tragedy is
possible today, this community offers
Rise to the Occasion
Dara N. Damania has been ap
pointed the first Indian managing
of the firm, Damania was general
manager before his appointment and
has trained in technical, organisational
and company administrative work
in Germany and Switzerland.
Buckau Wolf India was founded in
1957 on the initiative of Maschinen-
fabrik Buckau R. Wolf of West Ger
many, a company of 139 years stand
ing in the field. Since then, notes a
resume sent by the Pune-based firm,
the company has launched an export
and diversification programme under
_______ the active guidance of Damania. With
significant exports so far valued at Rs 70 million,
Buckau Wolf India has secured a
major project export order for a com
plete sugar plant in Kedah, Malaysia,
which has already finished its first
“There are only four non-Parsi
characters in the play. They are
hamals who come to take away the
furniture. They don’t say anything.
But visually they present a shock
after the Parsi decadence. If I write
another play. I’d like to introduce
non-Parsis in
manner.
“I’ve tried to create a language for
the play. I don’t use Gujarati words
but I’ve tried to evoke a sense of the
Gujarati idiom, and a certain rhythm crushing season, as well as an order
a morefor a cane sugar factory in Nairobi,
Kenya, which is expected to start ope
rations in 1979. The company has
also begun to manufacture spreaders,
steam tube calciners and machinery
for compost and brewery plants.
In Bombay, Jehangir Shiavax
Khambata, 47, became managing
director of Glaxo Limited when he
took over from G. J. Medley earlier
this year. (Photograph and bio-data
not given.)
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To Cop It All
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Honorary Surgeon
Noted cancer specialist. Dr D. J.
Jussawalla has been appointed hono
rary surgeon to the President of
India. Jussawalla, director and chief
surgeon of the Tata Memorial Centre
in Bombay, has also been chosen to
represent India on the World Health
Organisation (WHO) Expert Com
mittee on cancer.
A pioneer in the field of cancer
treatment and research in India, he has
been on the staff of the Centre, which
consists of the Tata Memorial Hos
pital and the Cancer Research Insti
tute, since 1941. In 1951, Jussawalla
founded the Indian Cancer Society
which has been active in fighting the
disease through public education, en
couragement of research, early detec
tion, new modes of treatment and re
habilitation of cancer patients.
The first chemotherapy and cancer
cytology units and the first cancer de
tection unit at a general hospital in
India, were organised by Jussawalla,
as was the Indian Journal oj Cancer,
which he edits. A member of nume
rous medical associations, societies,
and committees both in India and
s
Buijor A. Minocher-Homji, a much j
decorated veteran of the Bombay i
police force was awarded the coveted
President’s medal for distinguished i
service, on Republic Day this year.
The 57-year-old assistant com
missioner of police, who heads the
“A” division police force of Bombay,
an area covering the heart of the
metropolis, is also the recipient of the i
Indian police medal for meritorious ;
service, given in appreciation of his
work as a sub-inspector and inspector ;
and the Indian police medal for gal- '
lantry which he received for single- i
handedly rescuing a union leader from |
an angry crowd of rival union mem- j
bers, during the railway strike of 1974. t
o nAlioomon mnet Ha Q
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Damania: Buckau Wolf ’s new chief
abroad, he is currently the chairman
of the Asian Federation of Cancer
and in 1968, was elected a correspond
ing Fellow of the Association of
Surgeons of Great Britain and Ireland,
a group whose members number only
50 throughout the world. Jussawalla
has been director of the Tata Memo
rial Centre, the largest cancer hospi
tal and research centre in Asia, since
1973.
"Today, a policeman must be a
bit of everything, politician, diplomat,”
says the burly, soft-spoken Minocher-
Homji who joined the force in 1942.
“Before ’47, the work was more the
strict ‘police officer’ type. Labour un
rest is a very important part of police
life now, not only law and order. But
it is more challenging, we have to be
prepared for any eventuality.” The
Bombay-bom police officer graduated
from St Xavier’s College and then
joined the police as a sub-inspector
after 14 months training. Starting his
career young, he gave up the idea of
a medical career to join the police.
“Who knows how I would have done
as a doctor, anyway?” he laughs.
Minocher-Homji feels that people
are indifferent to the police and not as
amenable to discipline as they would
like others to be and though crime
among Parsis was once very rare it is
“now a matter of course; crimes such
as cheating and forgery are on a dis-
Used Abroads
Postal stamps of Indian origin which
were used in foreign countries are the
subject of a 68-page book An Intro-
noted philatelist, Vispi S. Dastur. The
r _ ' ¦ _..................
Philatelies and released by Girish Chi-
, talia, president of the Indo-American
I _ A__ *__ I k_ _ A1 ^+1* IOr
gives “a short description of the place,
lations of each foreign abode where
Indian stamps were used.” nn r, ,.
Dastur, a chartered accountant by for over 50 years, Rustam T. Saklath
' . — > I felicitated by the Parsi Zoroastrian
Association (P.Z.A.) of Calcutta for
“his long and meritorious services."
At the function held at the Calcutta
Parsi Club in November, the leading
members of the community showered
praise on the former president of the
association reports the Navroz weekly,
Calcutta’s leading Gujarati journal.
Adi Rabadi, the president of the
duction to India Used Abroad byjhe
Rs log book? published by Mysore tinct rise.”'The law enforcement officer
thinks this may be due to the fact that
“respect for the family is dwindling
and people think of themselves first."
99
Society in Bombay on 17th February,
historyi* ^istaf history” and cancel- Thank you, Mr Saklath
lations of each foreign abode where A “quiet and devoted worker” who
has served the Calcutta community
!
ill
Indian stamps were used.”
, profession, notes his interest in “Used
I Abroad” stamps started soon after he
first became a stamp collector. “I felt
S there must be something more to phil-
¦ ately than just collecting mint sheets
and first day covers.” He wrote the
! book because he felt “it would in
teresting for one to know why Indian
stamps were used abroad in those far-
off distant lands, what were the events - , , . , .
leading to their use in those foreign P.Z.A., noted Saklath s behmd-the.
99
Jussawalla: high honours
countries—^whether it was a result of
political agreements or army cam
paigns. .. “Used Abroads”
special charm and intrigue.'
have a
99
scenes efforts to serve the community H
especially its young and to impart to
them an awareness of the religion.
“Despite being a keen student ol^
them an awareness of the religion.
1
11i
I
I
religion he harboured no dogmas,”
noted Rabadi. “he kept an open mind,
readily heard the other man’s views
and tried his best to solve the eternal
controversies that plague the com
munity.” Ardesher Batlivala noted
Saklath’s “fantastic capacity for work
and a tremendous ability of being able
to speak on any topic and speak well
too.” Describing Saklath as an “op
tical illusion—a small man with the
energy of an ox,” Burjor Modi, joint
secretary of the P. Z. A., noted
Saklath was “one of the very few men
who could talk some sense on our
religion.”
New President for Gujarat
Chamber
Jehangir R. Cama, a 40-year-old
Ahmedabad hotelier, has been elected
president of the 3,500-member Guja
rat Chamber of Commerce and Indus
try, for 1978. The chamber has
a constituency of over 2,000 associa
tions across the state, representing a
spectrum of trade and industrial inte
rests.
Managing director of Cama Hotels
Ltd., Cama also represents the Cham
ber at the Federation of Commerce
and Industry in New Delhi. Among tional Competition for Conductors
' held in Berlin, last year. Performing
in his first international competition.
a
other positions, he is a member of
the executive committee of the Hotel
and Restaurant Association of Western Mistri received praise from Wolfgang
India, president of the Ahmedabad Streseman, manager of the Berlin
Automobile Dealers Association and Philharmonic and head of the jury,
a director of the Bombay Mercantile who described him as a “born con-
Co-op. Bank Ltd.
Good Conduct __________ ______ _ __ ____
Pheroze Manek Mistri, a violinist deeply impressed” the jurors.
s ¦
Cama : chamber head
¦
with the Vienna State Theatres Orches
tra, reached the finals of the presti
gious Herbert Von Karajan Intema-
P. S. Balsara, a director of the
ductor (whose) technical competence advertising firm Ogilvy Benson and
... thorough musicianship and...
remarkable knowledge of the scores ...
Mistri, who is also a member of the
main orchestra of the Vienna State
Opera, studied violin and conducting
at the Vienna Academy of Music and
Ebama which he entered as a J. N.
Tata Scholar in 1968. Bom into a
family of music lovers, he began to
study the piano at the age of six with
Shanti Seldon, but after hearing
Yehudi Menuhin play, changed to the
violin which he studied with Mehli
Mehta and Silloo Panthaki. After
graduating from St Xavier’s College,
Mistri worked for a short while with
a business firm but resigned to attend
the Delhi School of Music where he
studied conducting with Hans Joachim
Kollreuter for a year.
Matber, was elected chairman of the
Indian Institute of Personnel
Management. (Bio-data not sent).
•i
•i
With Compliments Of
ADI B. SAGAR & CO
Electrical Engineers & Contractors
Bombay
I'
13,59
Mistri: a “born conductor
atricality and mythological themes
appeal to him.
Deboo began his travels after
graduating from Bombay’s Podar
College, when, after some “drifting’
he decided to go to the U.S. for cour
ses in dance and management. In
Europe, however, he got some T.V.
work and stayed there for almost a
year before moving onto the Americas.
Since then, the globe-trotting dancer
has given Royal Command Perfor
mances in Japan and Thailand, per
formed with the British rock group.
Pink Floyd, danced on a Sioux Nation
Deboo : ideas in dance form
.»5
Tn 1973, Mistri led a performance
of “Carmen Jones” for the Schweizer
Tournes Theatre in Bochum, West
Germany and last year led two con
certs with the Zilina State Orchestra
in Czechoslovakia and as part of his
diploma examination in conducting,
led the N. O. Tonkunstler Orchestra
in Vienna, performing Beethoven’s
Fourth Symphony.
taken
Body Language
His travels have taken dancer
Astad Deboo to some 50 countries
from the Philippines to Peru where
he has performed both the classic
Kathak and contemporary dance,
earning himself the title of “travelling
cultural ambassador of India” from
the Mexican daily El Sol de Mexico.^
“Dance for me is communication,”
says the 30-year-old Deboo. “I want
to get through to the audience with
what I’m trying to say and contem
porary dance gives one the chance to
present ideas in dance form.” Presently
in India, three performances, for which
he has choreographed Indian move
ments to western music and vice
versa, were to be held this April under
the aegis of the Max Mueller Bhavan
of Calcutta. Though Deboo does not
improvise on any classical dance, his
years of training in Kathak—which he
began at the age of six—make him
“more prone to Indian forms.” For
the last two years, the young dancer
has been studying Kathakali, the
dance-drama of Kerala, whose the-
disadvantage being a
Reservation in Canada and worked
with rehabilitation programmes for
drug addicts in Vancouver and Hong
Kong—between T.V. and stage ap
pearances.
“It’s no disadvantage being a
Parsi—I feel a person first,” says the
Navsari-bom Deboo. “Its dedication
that matters.” Nevertheless, “its been
hard” for Deboo who does all his own
programming and “I don’t think you
can make a living in India as a pro
fessional dancer. When things go all
wrong, I feel like quitting—but I love
the dance.”
i:
15I
r
h
h
t
bership or through marginal surplus tai in drawing Guiv’s attention to a
of bi-annual functions”. As a result, community centre in New York—and
the ZAGNY membership fees have his wife met members of the Zoroas-
been raised by $5 and a Darbe Mehr . . - .
fund has raised over $22,000 from
well-wishers.
In Toronto, Guiv and his wife Mor
varid accompanied by Dr Rustom
Sarfeh-—one of the people instrumen-
property for building a Zoroastrian
ZOROASTRIANS ABROAD
The Gifts of Guiv
The largesse extended to the fledgling
North American Zoroastrian associ
ations by the Iranian millionnaire-
philanthropist Arbab Rustam Guiv
amounts to almost one million dollars
(approximately 84 lakh rupees) with a
gift of $1,54,000 to the Zoroastrian
Association of Metropolitan Chicago
(ZAC) “for the purchase of a piece of
trian community of Ontario at a
thanksgiving jashan on 3rd Decem
ber on which occasion he aimounced
his munificent gift.
The centre, to be named the
Zoroastrian Centre—Mehraban Guiv
Centre in the Chicago area. At this
time we have narrowed our search to
a 20-acre lot in Lake Forest, a suburb
of Chicago. If the land is deemed
suitable for construction we will
finalize the contract within 45 days,”
notes Rohinton Rivetna, the Associ
ation’s secretary.
Guiv had earlier gifted $1,80,000 to
the Zoroastrian Association of Greater
New York (ZAGNY) for a community
centre in New Rochelle and had set
aside $6,00,000 to the Zoroastrian
Society of Ontario for the purchase
of land and for construction of a com
munity centre.
The Arbab Rustam Guiv Darbe
Mehr Zoroastrian Temple in New
Rochelle had its opening ceremony on
3rd December with a formal dedica
tion held a week later on 10th Decem
ber (“Zoroastrians Abroad,” Parsiana,
January T978> ABoilt an Tiour’s drive
from New York city, the Darbe Mehr
or Door of Love is the first centre of
its kind in North America and has
facilities for community get-togethers,
prayer meetings, religious classes and
social gatherings.
A special 14-page ZAGNY news
letter, with photographs of the Darbe
Mehr and the guests present, published
to commemorate the opening of the
Darbe Mehr, notes that the board of
trustees consists of three representa
tives of the Arbab Rustam Guiv
Foundation and three from ZAGNY.
Though the Foundation will provide
an additional $4,000 annually towards
the upkeep of the Darbe Mehr, the
ZAGNY treasurer’s report for March
1978 notes, “We cannot maintain this
beautiful property through $15 mem-
Above:
The Darbe Mehr in New Rochelle, N. Y.
Below: The jashan held on December 3,
1977. The priests were Darius Antia,
Noshir Hormuzdiar Noshir and Sam
Karanjia, Parvez Patel and Hoshang
Unvala.
Seated at the back are (right to lef
Madame Morvarid Guiv, Dr and
Rostam Sarfeh, Arbab Rustam Guiv Ms
ZAGNY President Eracb Munshi.
1
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te-'-
^^fesSFf
fc-
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1'1!
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¦
tif ',
r^*-
’* *
»
17long do , oeew^oH^if and when the hifer-
JUBA 9 a _ ——1 ** 4*4 44 4 .* * *44^
io the calendar. He further explains,
yOnly by such time reckoning (will)
^11 the gahaml>ar ceremonies and the _ ___„
^han oi rapahvan propeily coincide handled as efficiently and ""painlessly the Zoroastrians in India, the Zoro^-
)vith the seasi^ of nature. It is in : ........
t&ie interest of «mity... that Zarathosh- 1
Hies must be^n their New Year on annual general meeting of the associ-
i^ie day of the vernal equinox, as was ation and was . welcomed by the gen-
done by our ancestors.” eral body.
I Mazdayasna 1347 can be got by Asid^from seeking |
—J--------- rT,u-rz-------------------- the ^imes and addfi,„-, _____________
family mem^rs, the questumBmfea, tive council of the- Federation pf
4, * .«¦ . • 4»- ** __ _ __ a ' , A ‘ T
of body or ashes”, whether “prijiem as the representative^! of the Assoei-
(are) to be arranged in Australia <# i “ ‘ ............... ..
at^road,” if any parts of the body ace _ _____________ ,,___
to be donated, whether the mem|Dr board.”
yess,” notes Bagli in an introduction arrangements which would make sure
that our wishes are adhered to in this
very important matter, and also to^ The India Connection
make sure tW everything can be In mder td'WtOi^ close ties with
as possible.” The idea has been put trian Association ctf Metropolilim
forwaM by Pervez Marshall at the last Chicago (ZAC) has ^pointed NosSr
Wtant who vl^s
?on of the Th|(d
World Zoro^tn^ ^|igres£ and D^i
FW <^£se Anjuman and a m^l^Br^of the exe<4-
ation in India “to aet pn behalf of tte
Association under the jdi’^cction of tw
ZAC has also elected a new boalfl
of directors for a two-year temi
namely; Bahram Fmhadieh, presf-
L___— - - •
Daruwala,
surer; Rohinton
Hoshang Khambatta^assistant secri-
tary; Dilshad Antia.®drej BillimorB.
Darius Captain, Bdic^n Damkeva||,
* in Guard, Rt|fi
Khadkhodia|i,
---- 1
mation is required.”
Irani, a marketing ?
active in the orgfmi
^e day of the vernal equinox, as was
Mazdayasna 1347 can be got by
sending one dollar to The Zoroastrian
Association of Quebec, 12 Allancroft
Road, Kirkland, P.Q., H9J 2G9, also asks for “instructions for dispc^ Parsi Zoroastrian Armans
Z\«« «»AM'«^OA««4A^«afAilS^ I
ttpg^tion on Mistry, a trustee oCahe Delhi Pa^i
Easing the pain
A two-page questionnaire “listing in
formation which we think might en- has nominated a legal guardian for
able us to afford the maximum amount children and the location of orM
of help possible, in the event of death inal copy of his will; haw
or serious injury” has been sent to
members of the Australian Zoroas
trian Association (AZA) in December.
“We have, ini the past, had the mis
fortune of losing members of our
community in Sydney,” noted AZA ments are to be delivered in a sealed
president, Gulu Bilimoria in a letter
accompanying the questionnaire.
“These happenings are tragic, but they will be opened by the trustees/com-
inal copy of his will; ha’
the option of enclosing a copy of the
will.
Noting that members are not
obligated to answer all questions,
Ms Bilimoria writes that the docu-
dent; Kersi Antia, hcai^ priest; Noshic
______ vicej^ident-cum-tre|-
“ ‘ stna, secretary;
Mi',
5^
the
Yezdi Engineer. Ro! envelope which will be “kept in safe
custody by one of our trustees and Gandhi, HooshmaaHI
Sarosh Khambatt*'
.............................
Ti
Dara Rivetn|i. [
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V\fe\e got systems that work for you
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1
19 ’
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The Third World
^Zoroastrian Congress:
A COMMUNAL CATHARSIS
that the theme of the Congress was
“The Zoroastrian Community in a
Changing World,” said it was “time J
that we. of the Zoroastrian commu
nity, made an assessment of the situ
ation and the challenges it poses and
adjust ourselves to the new world that
is springing up around us.” The chair
man, who had suffered a heart attack
a couple of days prior to the January
4th inauguration and did not attend
_____ xl*... 11 z* zloiio’ coeciAnC
urged the delegates to discuss issues
“in a restrained manner without acri
mony and with tolerance.. .the prime ?
purpose of the Congress is to bring f i
together Zoroastrians from all parts
of the world. In other words, it is a
search for Zoroastrian unity.”
Jamshed N. Guzder, the chairman
of the Congress’s executive committee,
at ¦ ¦ ~7~
major forces behind the Congress,
In the end there was the applause,
loud and sustained. The Third World
Zoroastrian Congress had come to a
successful, albeit uneventful, conclu
sion. No momentous decisions were
taken, no plan of action chalked
out but for four and a half days, over
1,5(X) Zoroastrians from all over the
world had congregated in Bombay, pioneering spirit, a progressive outlook
exchanged views and beliefs, revived i ................... — .
old ties.
young and old, conservative and liber
al, people with differing accents and
outlooks, dressed in attire ranging
from sarees to minis and daglas to
bush shirts, voiced their concern and
aspirations for the community. From
the lectures to the peppery three-
minute discourses of the delegates, a
sense of purpose and mission was
evident, a belief that whatever the
community’s problems, if people made dynamism to meet the challenge suc-
a united and concerted effort, all diffi- cessfully.”
culties could be overcome. ~
The Congress was historical not
only because it was held after 14 years ucvicu wmi wv/uvunv. ;
but also on account of the unhappy cultural life which you will naturally peculiar to India alone should not j
developments that lay in its wake: the like to consider so that you can bet- be allowed to monopolize the atten
tion of the Congress... may I, there
fore. urge my fellow Parsi Zoroas-
fact the hosts and that this f
World Zoroastrian Congress ;
small community’s multi-faceted
achievements and contribution to the
nation. “The high ideals of the Zoro
astrian faith are reflected in the man
ner in which Parsis who came to set
tle in our land a thousand years ago
have developed over the centuries,”
said Jatti. “They have shown a
community’s
time (
and exemplary self-reliance.” Though
The diverse gathering of there were “reports of increasing _
poverty among Parsis, of more people any of the following days’ sessions,
seeking doles from Parsi Trusts and ’ ’ > ’ - - -- j
of the plight of Parsis living in rural
areas.. .these are problems that face
all communities in the world and a
certain measure of dynamism is re
quired in handling them. I am sure
both by tradition and training, the
Parsi community is quite capable of
generating the required resources and
“reports of increasing
I
trustee of the BPP and one of the j
imjf, luujv. --------------------- -------- —Y® ’’ i
Governor Ali also noted. “You noted that though the single largest
have undoubtedly some problems con- - -
nected with your economic, social and
concentration of Zoroastrians was in }
India, “certain problems that are S
only because it was held after 14 years
I '
developments that lay in its wake: the like to consider so that you can bet
break up 17 days later of the Fede- i
ration of Parsi Zoroastrian Anjumans country. You are eager and anxious
of India (FPZAI) under whose aus- i
pices the meet was held. The clash of growth and progress of India in many in
personalities that occurred on the floor fields. The fact that you are numeri- is a _ „
of Bombay’s Sir Cowasjee Jehangir cally small has not and indeed, need and not a Parsi Zoroastrian Congress.
Hall snapped the slender ties between not depress or frighten you. Ultima- Messages were also received from
the democratically elected anjumans tely, it is the quality of life and the the President and Prime Minis
and the Bombay Parsi Panchayat pursuit of excellence which count. If ter of India and the Shah of Iran; the
(BPP) which played a pivotal role in ; -- tv
the organization of the Congress. Thus and stout hearts, the world is yours;
the Congress that initially nobody at any rate, you have your proper and
wanted and which later became a legitimate place in it. You may well
rallying flag, belied its great expecta- keep your identity within a wider
tions. loyalty to India and its great goals and
India is a free, secular directly relating to the Zoroastnan
<
understanding of the glorious, ancient
ter serve your community and the
to increase your contribution to the trians not to forget that we are
fields. The fact that you are numeri-
not depress or frighten you. Ultima
tely, it is the quality of life and the
you have a wide vision, clear heads latter, whose message was read by Dr
' ’ ¦ Farhang Mehr, vice-chancellor of y;
Pahlavi University, Shiraz, stressed
the ancient ties between the 2Soroas- '¦
trians and Iran and hoped “that as a
result of your deliberations in the areas
community and its history, a better
On a cool, pleasant January 4 and the idealism that we have inher- i— ------- „ -
evening, amid the glare of spotlights ited from India’s straggle for freedom Iranian culture and civilization will
and whirling cameras, the Congress and our ancient heritage assures safety be achieved.”
was inaugurated by the Vice-President to the smallest minority community in
of India, B. D. Jatti, at Bombay’s the country. For all these and other Fmmat
Birla Matushri Sabhagar hall. Speak- ---- —------ „— — v r • , .
ing before a distinguished gathering of wishes are with you as you all settle delegates gathered at the tmee-tier^
the Zoroastrian community leaders down to your deliberations.” _ u_ .
and delegates, Jatti, Maharashtra Gov- Boman K. Boman-Behram, presi- first of the four-day session, lhe
emor Sadiq Ali and Maharashtra Chief dent of the Congress, the FPZAI and subjects scheduled for the Congress
Minister Vasantrao Patil, praised the the Bombay Parsi Panchayat, noting pertained to the priestly class, rel-
loyalty to India and its great goals and
‘ aspirations. L_21_ 1_ ' .
Ihangaration democracy in which our Constitution
On a cool, pleasant January 4 and the idealism that we have inher-
evening, amid the glare of spotlights ited from India’s straggle for freedom
the country. For all these and other Format
wishes are with you as you all settle
Boman K. Boman-Behram, presi-
reasons, all our good will and good The next morning by 9 o clock the
Sir Cowasjee Jehangir Hall for the
the Bombay Parsi Panchayat, noting pertained to the priestly class, rel-
21
1
If ¦
expertise. TOlst subjects such M^ffie ^ess’
not expected to'^ provoke much overseas
’ I Iranian delagates, on
priestly class or religious education gress
were l, ; ’ 7
controversy, item number five, a
“Social and|M|^ ‘ - r, - —
itrians in thi^oeeit
tions for th^fjitui-. -
elusion the .-^tal and orthodox sec-
i” an exetc^ in ^Ifility, the Con- Pudumjee depicting a stylized history!
[ did demonstrate the infiuence of of Zoroastrianism, followed by a
Zoroastrians, especially the fashion show and dinner. The other
an exetc^ in fefility, the Gon-
.T
jspeciauy vne laauiuu duuw auw wixiuvr. axxv
VO the Bombay sidelights of the Congress included a
the othei«’^al host iff stalls siO^^is of interest
nt nast'snd aiStees*India with which the F^P to the delegates. Thes^ranged from
tfe,** over whose in- is constantly at battle, the. Bombay out-of-print books on Zoroastnamsrn
elusion me au« ow- trustees paid heed t& fiie yieWs of the collected for the occasion by Edal
frV rhT^munity' had been influenfial and moneyed Iran^n Cassad, an^entei^smg businessman
heatedly dXfing, vront off smot^y Zoroastrians. the mention of,‘file who covered the books m plastic and ,
'thanks to tfe adroitrchaitmanshipf^f - millionaire-philantrophist KUMam added a generous price mark-up. to j
prominent Ban^y Guiv’s 4ame was sufficient to elicit a portrait of Zoroaster ^inted by^a ,
lawyer in mosc whvxv-JxC ' applaud frdn the audience. B^ ymg Gujarati artist, Ravi Tnlok
clminnan. however, threw his wei^ W treatment did not extend ;to all who took orfers for paintm^ on
around or permitted certain speakers the foreigh ihvitees. .Godrej Sidhwa Zoroastnan tlw^s. Sewral publica-
to exceed th^ time limit st^d a ofgtoehi m spofe:;on the prie^y
sneaker before his time was up, the dtris, reportedly could P'•*'peiftaiiung to its progress and weiHare
^5^mbership of the Federation at a
- ** ¦¦ -J
1»6.
ISk . Aophanctfar O.
' tr <: changing world, came through in . Hider. oafe; reiuen^ered one of
of the last remnants o£ eUdogamous speaker after speaker. Perhaps the . the^Si^Mtest biplo^sts nd culture. Butthe ioiests must ihspHred W^ion. Fervent
have wond^RSd; whrft words rose* Mf^a|^'i|ighest tier of
for our proniised welfare and secu- theT^l, covefdjK>^ ^Bead with the
India, especially western India,
with a greater ! sense of nesponsibility scientific
ihg of their children in So heady
_________________________ c ¦- <¦ - *=
and culture. But^ loiwtstmust of mspred
wond^RSd; wbrft h^oisd words towm
the best traditions of "2^roastrian
the 'boll, covens
sari £pid proc^,
with emotloBi^
on
k is'>’not the voice
reciters of prayers and performers of Zoroaster!" Whereupon the chairman
ritual ? Perhaps the biggest question cahnly called* “Next sp^ker please”.
what fHOd euphorhi oozed^Sw air from
levels? If the organisations do not act . 4/WlsBe economic
naore purposefully noW, the demand and'sodhl A Zoroastrians
exei^dsed^aea^ . ldlfs’!^ Iranian and
eximtriate‘ Parsi conaa&iities showed
a 'robust, realidic .'ind rational
There was a sense of euphoria a sense of confidence about what they^
I impression from Parsi^ blndia. There
The certainly seemed to fe a lack of ap^
predation that emh of all—the^
exercised aea^
eximtriate‘ Parsi wjSb
was inevitably^ an exhibitipb "^Pf
K.ot fk., ru. » approach to theilh There wa^
at the Congress, constantly below the were doing. One did ndhget the same
99
however, it wa excess.” If we remember that, we can
much wanted matter in contemporary go into a changing future, mature and
idiom. So great must be the vacuum
left by parents and priests that when
Mistree stops, his listeners clamour
for more.
Right at the start of Mistree’s
talk the jolt came. We Parsis are not
from what is now called Iran but from
what is now Uzbekistan and the
southern republics of the U.S.S.R.!
At one stroke he took the lid off a
whole bin of assumptions about
Iranian origins. Why had traditions
broken down? he asked and replied:
because the religion has not received
rational, a modernizing and humane
community which retains its soul and
has “broadly agreed means to broad
ly agreed ends.”
And for that may Ahura Mazda
show us the Light, to light up our
own perceptions and not to bum up
others!
A. D. Moddie, 57, a management
and rural development consultant, read
a paper on “Education jor Zoroas
trian Youth” at the Congress. A
former director of Hindustan Lever
Ltd., he is president of The Hima-
the degree of intellectual stimulus re- layan Club.
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I'o'l
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Family ? . ..
Kight: Bindiya Goswami and Raakesh
Roshan; Pearl Padamsee and Asdiok
Kumar: The “Parsiness ” is a lifeless
prop.
Below: Deven Varma and Piloo Wadia :
Apron Strings.
f
The camera dwells lovingly on four-
poster beds, ancestral portraits, easy
chairs and sewing machines, tracks
through a middle-class Parsi interior
to focus on the sadra-clad inhabitants.
This glimpse of Parsi life preludes The
1 Khatta Meetha, directed by Basu Padamsee)
I Chatterji and the first Hindi film to
I use a Parsi milieu as a backdrop to
the story.
under his ramshackle bus than in it;
Jal (Devendra), always plucking his
guitar; Rusi (Ranjit Chowdhury), the
aspiring karate expert and Pilloo
faster Raju) the little school boy.
~ widow, Nergish (Pearl
) has three children,
Firoze (Raakesh Roshan) in his last
year in college; 28-year-old daughter,
Freni (Preeti Ganguly) whose post-
The Rupam Chitra production adolescent tantrums the mother can
which revolves around a Parsi family, barely cope with and Faredoon
comes in the wake of commercial (Vimal Sahu) who does nothing in
potboilers where Parsi characters only particular beyond brawling occasion-
provided “comic relief” from the sniff
les and the duets. Khatta Meetha, prior
to its release, raised the hackles of a
section of the community who voiced
their fears in the Parsi Press that the
movie might distort and caricature
the community’s way of life or sacred along, a subplot focusses on the love Nergish is clinched over a cup of tea
rituals. hfe of Firoze ai^ his girl friend, and after a few sheepish appraisals
The misgivings would now seem ................. ’ ' “
to be exaggerated, for the Parsi viewer
who masochistically expects to be
subjected to two hours of ridicule on
celluloid, will find that the film is deal with |e(|ple and situations evo-
basically an inoffensive commercial , cative of the everyday life of the com-
venture; more concerned with proid- munity. Bm here, there is' nothing
ding undemanding “family funfare” ' ’ ..................
(as Khatta Meetha is billed) than
making statements about the commu
nity, controversial or otherwise. In
fact, beyond portraying the archetypal,
possessive Parsi mother with her Oedi
pus complex-ridden son and senti
mentalizing the middle-class Parsi
family, the community is almost
cold-shouldered. One is left with the
niggling suspicion (belied by the film’s
considerable commercial success) that
here is a family film too slow for
adults and too tame for children re
ared on Bobby and Sholay.
Based on a Turkish film. Our
Family, Chatterji’s small budget ven
ture deals with complications that
arise out of the marriage of conve
nience between an ageing widower.
Nergish
three
ally.
The film deals in part with the in-
itial hostility of the children to each
other and their new parents and ju
moves on to their final adjustment, t
To keep the narrative moving noisily
isj "M
A
life of Firoze and his girl friend,
Zarine (Bindiya Goswami) and that of each other. Dara, the 33-year-old
of Dara (Mistry’s colleague) and Freni, bachelor who trails his mother around
One would expect a film dealing whining for permission to “marry any-
for the first tiyaae with Parsi life to one as long as she is a woman”,
deal with ’|e<|ple and situations evo- marries fat and past her prime Freni
-J ,•«. .. . before the intermission. Chatterji also
„ _ J see^i to it that the star-crossed lovers,
inherent Parsi about the ^aracters Firoze and Zarine are not crossed too
in the film, the situation^ they find long by Zarine’s class-proud, “villain-
themselves in or the prcolen^ &ey ous” father, Mr Kerawalla (Pradeep
face. They are the fotmula Blm Kumar)—a formidable, commercial
stereotypes. hackneyed situbtSonsk Jtiuadi film cliche.
with ofte^ fio coliei^ht motives to'ac- ’ ¦’ « •
count l^r theSr Actions. If'^are&on
and Fali, Zarmc and Freni were sub-
^ifoted^with Ram and Shyaip!, Sita
G^, it ^uld make jtoleptfer-
en<|e tef the sfory; e?Sie^ perhbi^ in _ _
thelcase of Nergish and Homi whose recognition down middle-class Parsi
Nova^ber-December marriage would
be moreWcceptable in a Parsi family
than in a Hindu one.
Nor are the problems the principal gali milieu in Swami probaWy. be-
characters grapple with and overcome, ~ .................. -
any indications of trends in the com
munity, What motivates many of them
is the urgent need to get married, an
Homi Mistry and a widow, Nergish urge which they gratify with incred-
Sethna. Mistry (Ashok Kumar) is a ible swiftness, thanks to the machi- ____ ,
foreman in a factory and has four nations ’of the director. Ulus, the references to Udwada and * Parsi
sons:^ Fali (Ravi Raaj), more often marriage contract between Homi and superstitions; Jam-e-Jamshed and The
for the fo-st tjyaae with Parsi life to
inherent
in the fill nfc they tn
¦of lem*
osnula^ Bl
ley
ilm
ft is because the^^arsi ethos does
not form a backdrop to the interplay
of the genuine tensions and conflicts
inherent in a small community, that
the ‘yParsiness” remains a lifeless
prop and fails to send any shivers of
yParsiness”
spines. Khatta Meet ha has none of
the profusion of detail with which the
director effortlessly evoked the Ben-
cause Chatterji has little insight
into or empathy for the com
munity and has apparently done little
research to compensate few this lack.
Brief wedding shots which at one
point degenerate into a dance scene;
•V.
3: 34i
J
/
' ' Li
the blatantly commercial film and the
honest one.
After Khatta Meetha, one has the
seem to be suspended awkwardly bet- Nevertheless, even if Khatta nagging suspicion that Chatterji has
ween long stretches of dialogue in Meetha seems to landmark the direc- ceased to compromise ... the next
Hindi are among some of the direc- tor’s cinematic menopause, a major step a big budget multi-starrer a la
tor’s unconvincing and cursory salutes plus point is its charnpioning of the Sholayl
to the Parsi way of life. cause of widow remarriage in a society *
where Hindu widows had limited
options—sati or total seclusion. Ad
mittedly, seen in the context of the
commercial Hindi film world, Khatta
Meetha and its predecessors have terji’s association with the community
has been "happy and warm. It streng
thened my resolve to portray the
Parsis sympathetically in Khatta
Meetha and not lampoon them as in
other Hindi movies,” he says of his
recent IQ-lakh venture which is set
against a Parsi background.
“The filmmaker has a responsibility
towards tne community he portrays,”
notes the Ajmer-born Bengali who
feels people living outside Maharash
tra, Gujarat and a few other
places in India, do not know much
about the Parsis “or they may have
preconceived notions about them,
hope Khatta Meetha will increase
awareness and understanding of the
community.” However, the 48-year-
old director points out that he is
essentially a storyteller who likes to
Bombay Samachar prominently dis- which to some extent, redeem Chatter-
played; a self-conscious use of the ji’s most mediocre films, even a fanci-
greeting sahabji and Parsi names that ful inanity like Tumhare Liye.
Bombay Samachar prominently dis-
ful inanity like Tumhare Liye.
Nevertheless, even i2 "----
Meetha seems to landmark the direc
tor’s cinematic menopause, a major
As a peep into Parsi life the film
is not all that perceptive or even acc
urate and it is further marred by a
plot where comedy—sometimes bor
dering on farce—matters more than
realism. One misses the vein of quiet proved interesting—more for what
humour springing from incidents of they do not have than for what
everyday life, which characterize the they have. Chatterji’s clean little
best of Chatterji’s films. Unable to tales, scrubbed of all obscene
sustain the comedy, the director in
troduces runaway buses, s
pedestrians, harassed porters and
narrow escapes which get steadily real problems and fractional truths
worse because he does not know
when to stop. Though there are mo
ments in the first half when some of
the gags do come off, others fall flat
because they are - unnecessarily labo
red.
As for the handling of the camera,
it is intelligent enough and the family handling of human relationships,
scenes are well-composed. But the
film has no interesting use of dramatic
images or ev^n the technical sleight
of hand and flashes of visual beauty ional cinema—a compromise between
tales, scrubbed of all obscene
innuendos, oversized bosoms and
startled sizzling cabaret scenes, have none of
the heady thrills, gross violence, un-
typical of the big budget multi-star-
rers spun by Bombay’s dream mer
chants. The lack of depth, a short
coming characteristic of a Chatterji
film, is often compensated for by a
story well-told, a telling sense of the
comic and a tasteful and delicate
These qualities (now increasingly elu
sive) led critics to classify Chatterji’s
work when he first began as transit-
* *
He saw a Parsi for the first time
in his life when he moved to Bombay
and ever since. Director Basu Chat
a
I
35I
rnnt-A tale rather than mx mt wuuucruiai nmui mm,
make an in-depth, sociological study Chatterji asserts, “I don’t make films
of a commimity. - - imua
Relying almost solely on the guid
ance of Parsi friends, his own acquain
tance with the community (including
two former employers) and the advice
of an “expert dastur”, Chatterji has
tried to evoke a Parsi milieu in the
belief that aside from the attire and
customs, “Parsis are Indians after all”.
He toyed with the idea of trying to
weave in the rhythm and idiom of
Parsi speech by the use of Parsi
Gujarati interspersed with broken
Hindi “but it would have sounded
artificial and perhaps ridiculous.
Besides, I wanted to cater to an all-
India audience,” he says.
As for the actors, with the sole ex
ception of Piloo Wadia whose forte
has been caricaturing Parsi idiosyn-
cracies, the film has no Parsi artistes.
“I didn’t use Parsi stage actors be
cause I needed people who have some
knowledge of working before a
camera,” he says. An exception was
made in the case of the Bombay stage
veteran Pearl Padamsee because
the director found her combination
of “motherly qualities and histrionic
talent” irresistible. The rest of the
film is peopled with lesser-known
actors with the exception of Ashok
Kumar. “An actor can assume any
role he is given,” says the director.
“Ashok Kumar has been acting for
40 years and had never portrayed a
Parsi before. He loved playing the
role.”
Though Khatta Meet ha has all the
cliches of the commercial Hindi film.
«
99
to make money but for the love of the
medium”—a statement perhaps borne
out by the fact that some of Chatterji’s
earlier films were not box office hits
and won a certain amount of critical
recognition. His involvement with
the medium which he describes “as
walking on a razor’s edge”, is 10 films
old. Prior to that Chatterji was a
journalist for a while and later, a
cartoonist with Blitz for 18 years.
Those were the days he read all he
could on films and started the film
society. Film Forum, along with
another interested friend. He got his
first break in films when opportunity
arose to assist Basu Bhattacharya with
Teesri Kasam in 1962.
The year 1969 saw his maiden. Film
Finance Corporation-sponsored effort,
Sara Akash, but the offbeat theme and
its handling did not click at the box
office. His next venture. Us Paar
which Chatterji produced himself, also
flopped badly and since then, he has
only directed and not produced his
work. Luckily, the following ventures,
Rajnigandha, Chotisi Boat and Swami
were minor successes “because I make
films which can communicate with
people who see them. I am not con
cerned with any ideology or with
conveying a message.”
Belonging to the school of thought
that looks upon the film as primarily
a director’s medium, Chatterji obser
ves, Everythmg is coordinated accor
ding to my wishes and instructions.
Of course my actors have the freedom
Prior to that Chatterji
cartoonist with Blitz for 18
With compliments from
to interpret their roles and I need
cameramen and other technicians. But
when I am shooting the first shot I
also have the last shot in mind.”
After taking six to eight months to
write the screenplay the film is shot
within 30 days with very little on-the- >
spot improvisation. “It’s like raising
a building according to a blueprint
that I have in mind; after which I
may make a few changes here and
there. The mark of a good director is
his ability to visualize an entire film
and his craftsmanship to translate it .
into form.”
To encourage good cinema and to .
break the stranglehold of the commer
cial Hindi film on Indian audiences,
Chatterji pleads for more art theatres
all over the country. “These could
screen the offbeat and the honest
film,” he says. “People like Mani
Kaul and Kumar Shahani have the
right to make the kind of films they
do for their select coterie of
admirers.”
Though initially inspired by the
films of Vittorio de Sica and Satyajit
Ray, Chatterji with six directorial
assignments on hand, is trying to
model himself on director Billy
Wilder (of Irma La Douce fame) and !
exploiting his sense of the comic to '
make light comedies. “My philosophy
is that life is full of misery but it has
its beautiful moments. As Thomas
Hardy rightly said, ‘Happiness is an
interlude in the general drama of pain’.
In my films, I like to dwell on the
interludes rather than dilate on the
pain.”
»9
99
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Bombay 400 001 Tel: 261882
37
rVIEWPOINT
What’s Cooking?
Dhandar, patyo, sali boti and dudh
puff siTQ the shortcuts to a Parsis
heart. While controversies rage and
split the community Parsis are uni^
ed in their love of good food which
has become a part of their khai pi
ne maja (eat, drink and be merry)
way of life. No Sunday afternoon
is complete without the langour-
producing dhansak, prawn kababs
and kachoombar; sev and dahi add
‘ the necessary, festive touch to
birthday, navjote and wedding cele
brations ; and yellow khichdi 3ig-
nals post-funeral blues. Over the
years, Parsi food has become in
separable from certain, symbolic
associations which like the ngc*
old recipes handed down from
generation to generation, remain
unchanged.
The wedding season watts to
eager Parsi nostrils the fragrant
aroma of the lagan nu bhonu—
the sumptuous wedding rep^t
which relieves the tedium of the
occasion and is relished gourmet
style by the 500-odd guests. But
with western and Indian fare now
invading Parsi kitchens, will the
patra ni machi lose ground to the
fish souffle and the homely rotli
to the paratha? To discover where
their ‘loyalties’ lay, we asked our
seven interviewees this time, whe
ther they enjoyed Parsi food.
I
i
Minocher Mehta, 73, Retired businessman
“Parsi food is a combination of all
communities’ and Parsis have cosmo
politan food habits,” says Mehta, a
long-time resident of Karachi. I eat
Parsi food practically every day. A
- 7__ ; is dhansak with
kabab and kachoombar but we
uavc .10 hard and fast rules and eat
dhansak anytime, though we have
parties, the type of food depends on
. Ik <-..4. ?Az-xf cold twice.
5>
pVlXLMXX --------------------
long-time resident of Karachi. 1 eat
« 1 ____ .i.:___ 11,. Hoxr A
typical Parsi meal
prawn
have no
dhandar special^
^e occasion. Meat is not sold twice
a week in Pakistan so we have two
meatless days. . _
“Yes, Parsi food is fattening too
much ghee, butter and spices. In
Karachi, lagan nu bhonu is buffet
style, though the food is much the
same as in Bombay. But Parsis waste
too much food.
“My favourite dish is macaroni
cheese and I like doodh puff and
jalooda and eda pak in wmter.
Alcohol is too expensive now, so,
people can’t really drink too much.
“Parsi cooking is not dying out.
Parsis like their own food. They don t
diet unless forced to and have tteir
three meals alright! Parsio to khadra
khara (Parsis are greedy).”
38
L
»Taera Vakil, 14, Student, J. B. Petit High School
sutar feni.
“Young Parsis drink a lot. not so i
the older generation. I like beer.
Falooda and lassi arc typical Parsi
drinks. I enjoy doodh puff the most
but hardly ever get it.
“Inter-marriages
Parsi cooking.
eat meat and fish, may not. Most of .
my Hindu friends love dhansak.
“Many Parsis eat for the sake of
eating. ------- " ‘
diet but they never succeed,
up!” advises Taera.
“My favourite Parsi meal is dar
chaval with khima or sail boti. We
have dhansak and kababs every
Sunday and dhandar on birthdays,
and though my mother is strict
about non-meat-eating days, I often
forget them.
“My Parsi friends at school grum
ble that the food is too heavy.
Rice and potatoes are fattening but
the meat and fish are nutritious.
“I go to weddings and navjotes
especially for the food. I think it is
super, especially the custard. I love
Parsi sweets like dar ni pori and
do not affect
_____ Foreigners enjoy
Parsi food but Hindus, who do not
not
Hindu friends love dhansak.^
The women think they can
Give
(
¦ t
These are
Roozbeh Shroff, 30, Cardiac Surgeon, J. J. Hospital
“I like Tibetan food. Parsi food is
not very nutritious. Overcooking
destroys the food value. It has very
high cholestrol and leads to cardiac
diseases, hypertension and affects
the kidneys and eyes. These are
aggravated by overeating.
‘‘Tans mare is a custoiri among
Parsis in coastal villages where a
gallon matka Qi todi with a leaf
tied to it is drunk bottoms up. Kahvo
is a typical Parsi drink and Iranis
love falooda.
“A typical Parsi meal would have
fried fish, kachoombar, rice and
curry, patya or dar. My mother
follows diet restrictions and non
meat-eating days but I do not even
know these auspicious days.
“I don’t thiiik lagan nu bhonu is
a waste of money so much as a •
waste of food. We should cut down -
the number of dishes. Parsis tend
to be gluttonous and to overfeed
their babies.
“I do not think inter-marriages
have affected our food at all. Most
communities enjoy Parsi food and
all my non-Parsi friends love it. There
is nothing like it!”
\ -5.
Jk'
I
II
Ms Mani Contractor, 65,
Housewife
“A typical Parsi meal, like dhansak,
fried meat and potatoes, is very
heavy, with lots of ghee and oil.
My husband and I eat Parsi food
every day, and some semi-boiled
because of our age. Dhansak is too
heavy and we only have it for
guests. At my parties, everyone
enjoys kharia and non-Parsi friends
also ask for Parsi dishes. We eat
dhandhar any time, and on special
occasions, we eat out,” says Ms
Contractor. She also thinks that the
“days of diet restrictions are gone.”
“Parsi food is good but fattening.
nutritious.
I
However, it is nutritious, and
if cooked with less oil, would be
healthier. Parsis do eat a lot; I
recently watched eig^ ladies finish
one kilo of biryani, one kilo of
sail boti, plus sev\ ,
“I enjoy lagan nu bhonu but it is
a real waste of money and food.
Alcohol goes well with Parsi food,
but I don’t think Parsis over drink.
“Parsi food is dying out. In
mixed marriages, husbands like the
food of their own community and
younger people prefer English-style
food.”
>5
9Cyrus Patel, 25, Businessman
,T J
“I love to eat. I prefer continental
food and my favourite dish is steak,
especially Chateaubriand; but I
love Parsi sweets, especially copra
pak and kajoo pak. Vasanu is also
a great favourite of mine. We have
about 50 per cent western and 50
per cent Parsi food at home and
for parties. I do not follow any diet
restrictions nor meat-less days.
“Parsi food is certainly not fat
tening. It is nutritious since it con
tains meat, fish, dar, eggs, which
are all fuU of proteins. Dhansak is
a typical Parsi dish.
but
“I enjoy lagan nu bhonu once in
a while. I do not think it is a
waste of money since it is for a
good occasion,
celebrate well? Parsis are good
drinkers but not to an excess
though this depends on the individ
ual. Whiskey and gin go best with
Parsi food—not wines.
“Though most Parsi women are
diet-conscious, they rarely succeed.
Parsis really do enjoy their food.
I have never come across a Parsi
glutton, as such, but most Parsis are
good eaters.”
which, why not
Parsis
to
Ms Villie Mehta, 47, Cooking Teacher
“Parsis definitely enjoy their food.
My family eats Parsi food every
day as the main course,” says
Ms Mehta who serves mixed or
western food at parties. “A typical
jParsi meal is dhansak, prawn
kabab and kachoombar but we
don’t eat dhansak every Sunday, as
my family prefers Goa-style curry
rice. Though I was brought up to
observe meatless days, I
believe in the food taboos.
“Parsi food is nutritious because
it’s well balanced; but sometimes, it
is overcooked.
“I usually enjoy lagan nu bhonu
is
don’t
though it is a waste of money. My
favourite food is crab and I think
beer goes best with Parsi food, but I
don’t think Parsis drink too much.
The average Parsi is not as fat as
the average non-Parsi and Parsi
babies aren’t overfed either, how
ever, the younger generation is per
petually on diets.
“I don’t think Parsi food is dying
out. Girls marrying out introduce
their husbands to it, and even in
America, you get Parsi food in Parsi
homes. Parsi food will live as long
as there are Parsis."
II
Ardashir Mehraban Yazdegardi, 58,
Partner, Pyrkes Provision Stores and Cafe
“Irani food is nutritious, but Parsi chana, and chelo kabab
food is cooked more for the taste,” Irani favourites which
says Yazdegardi, who came to
India in 1931. “We eat Irani food,
which is like the Parsi but not so
spicy, as well as Parsi food, with popular ' with
beer or orange juice is drunk with
food; I like a glass or two of beer
with a good med.
“Lagan nu bhonu is a waste of
food—^guests ask for all the dishes
but leave much of it behind.
“Parsi cooking will not die out,
as even non-Parsis are acquiring a
taste for it.”
dhansak and dhandar patia any
time. My favourite food is Irani-
style gosh, but I observe the non
meat days eight times a month. It
is good if all Zoroastrians wash
their hands and mouth and say a
short prayer before eating, to thank
God for the food.
“Abghos, a soup with meat and
are two
Irani favourites which I serve
Irani guests. Gaz e Isfahan and
hcdva e hardah are famous sweets,
and very nice. Shirazi falooda is
. . ’ T everyone. In Iran,
interviews by Shireen Gobhai and Shirin Bahadurji
41I
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”S
rj"
¦ill
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ART
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!
V''^'‘4-‘' -¦•
1
I..
f
' •* V *
*n?
Embryo ”: one
of the works exhibited
1
?
¦
i , *
Ss
Sculpture
amidst the Corals
by Geeta Doctor
It was the season of coral flowers in
the garden where Pilloo Pochkhana-
wala chose to display the work that
represented 25 years cl -.'-I- - .
in the field of modem sculpture. The
metal objects, scarred, twisted and
gouged pieces of aluminium, mounted
on thin rods fixed to solid stands,
were placed at various vantage points
in the somewhat bleak landscape of
the garden, each display surrounded
by a L__
which would no doubt provide a
dramatic effect at night. During the
day, one looked up-and saw the curved
red blades of a coral tree in bloom,
rising up against the blue sky like the
thousand waving scimitars of a horde
of Mongols just returning from a kill.
In the midst of such splendour, Ms
Pochkhanawala’s sculptures looked
44
and been hailed as an artist with a
socialistic conscience. Instead, she has
chosen to 1-
text of time
matter in the process
form, and in some curious
fashion, they do portray t
yearn ng of man to soar beyond the
ugliness of his earthly limitations m
search of the eternal. This may begone
its "cold, linear ration
label her pieces in the con-
and evolution, as bits ot
of achieving
3 elemental
the eternal
ugliness
bleak and remote, the painfully
wrought creations of man in answer
vuw ________ to what nature throws out with such
of achievement thoughtless profusion.
Art with a capital A is perhaps her work, ^some
best off in the anaesthecized surround
ings of an art gallery or the air-con
ditioned recesses of a drawing room.
One feels a sense of unease at driving
through the scabrous slums of Worli
with their stunted children playing on
battery of admiring flashlights the pavements decorated with mounds
uaucij U1 e,___ O kiirriQn PTPre.ta. to eaze
of sculpted human excreta, to gaze
at pieces of welded metal elegantly
displayed in a garden. Yet if Ms
Pochkhanawala had wanted to go in
for the cheap Sentimentalizing that is
resorted to by some so-called socially
relevant artists, she could have called
any one of her pieces “Worli Chawl
78” or “Fragment of a mill-worker”
reason why, in spite of all its elitist
connotations, its cold, linear ration
alizations. Ms Pochkhanawala s sculp
ture is not only seen in drawing rooms
but out in the open, in the middle o
the Worli chawl itself, fighting for
relevance amidst irrelevance. Her work
represents the search for form in a
world of formlessness, the questing
nature of man, trying to rise beyond
nature and failing, yet trying again.
It is this spirit that one admires
about her work, the fighting, defiant
spirit that is displayed in her very
handling of the metal which seems
at places almost whipped and curdled
into place, at other times casually
welded and cut out into shapes, the
very casualness belying the fierce ten
sion which holds her creations to
gether. It is the spirit which has the
audacity to contemplate the imitation
of a nebula, one of the most spontane
ous. luminous and tumultuous crea
tions of the universe and to fix it m
a metal form. Not that she succeeds,
for her nebula is a static grey thmg,
tied to the earth with umbilical rods
that keeps it forever stillborn.
The display shows a wide range of
iiu wv.k, of which she has
exhibited before, from the smooth
rounded stones trapped in webs of
welded metal in the quixotic “Atoinic
Couple” and “Steel Nest”, to the
collection of spanners that make up
“Nag Panchami” and the star-trekked
channels of steel rods displayed in
“Flight”.
One’s reactions to all these tend to
be subjective for they are the out
pourings of a highly individualistic
vision. Her work demands either
total acceptance or total rejection. The
one thing it does not allow is in
difference and most artists would not
ask for more than that of their work.I*
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Saklat with a piece originally
done in stained glass
Zoroastrian Material
Chavda
One of artist Shiavax Chavda’s
recent works which was exhibited this
February at Bombay’s Taj Art Gallery.
Chosen one of the “nine eminent artists
of India” by the Lalit Kala Akademi,
Chavda’s paintings have been acquired
by private and museum buyers including
The National Gallery of Modern Art,
New Delhi and the Victoria and Albert
Museum, London.
While Zoroastrian issues were being International School and the Aural
heatedly debated in the C. J. Cama
Hall during the Third World Zoroas
trian Congress held in Bombay this
January, the cool interior of the near
by Gallery Chemould saw an exhibi
tion of a quieter nature.
Calcutta-based artist, Katayun Saklat,
trained in the stained glass technique,
has here used cloth as a substitute
for glass, creating “fabric collages”
of such Zoroastrian images as fire,
Fravashis and the Iranshah.
Fabric was used, Ms Saklat explains, restricted theme,” says Ms Saklat,
both because there are not enough whose latest one-woman show was
commissions 1 „
(which needs to be lit from behind) Calcutta, ^is March. . ------
and because the lead necessary is un
available. While some of the pieces
shown were originally executed in
stained glass, “fabric has some of the
glow of glass and a substitute medium
is as satisfying to execute,” she says.
Quite a few people who attended
the Congress visited the exhibition,
says the artist, and some offered sug
gestions—not aesthetic but on the
lines of, aie pugree em nai handhai
(this pugree cannot be tied this way)
and one man even offered to send her
the “correct” proportions of a
Fravashi.
Ms Saklat, who teaches art at the
School for the Deaf in Calcutta, has
been working on Zoroastrian themes
since 1973, when she studied stained
glass technique with the English
master Patrick Reyntiens, in England.
“Maybe it’s to do with realising one’s
roots,” says the 37-year-old artist who
has expressed this feeling not only in
the fabric collages and stained glass,
but in water colours, silkscreen and
enamel on steel.
“I don’t think Zoroastrianism is a
restricted theme,'
5>
for stained glass work presented by the British Council of
to be lit from behind) Calcutta, this March. “I will continue
with it—there is so much material—
fire for example, a concept which is
intangible and vast. ‘
“correct”
45
II
IN MEMORIAM
The Music Man
From the waltzes, light opera and
big band music of over 25 years ago
to the rock and “disco” sound of the
Seventies, Goody Seervai and his
i bands played it all- When he died on
I 16 January 1978 at the age of 63 in
Bombay, the portly, smiling Goody—
no one ever called him anything else
—and his accordion had become not . .
only a familiar sight at weddings med a spt^ial group. Rock Revolution,
navjotes, balls, variety entertainments
and the dining room at the Taj Mahal
Hotel, but an indispensable part of
many Parsi functions. “Goody enjoy
ed playing, to him it was not just a
job. it was fun—and when he played
you sang and danced,” says Adi
' Marzban whose Pateti and Navroz
variety shows featured Goody for over
30 years.
Starting with a largely Parsi clien
tele in the Forties, Goody came to be
known to and to play for all the many
communities in Bombay; working
j in the film industry for many years
(the movies starring Raj Kapoor and
Nargis featured his accordion); given
the title of “maestro” by the manu
facturers of Hohner musical instru- S
ments in West Germany; receiving *
an honorary membership to the Ame
rican Accordion Association and in
the process, making “The Cuckoo
Waltz” and “Goody, Goody” known
as his songs.
Many of todays successful band
leaders, including Adrian d’Mello,
Maurice Concessio and Nelly Batti- Goody: a household word
wala of Nelly and her Band, began
their careers playing with Goody who
was the first to use and popularise the
accordion as a band instrument in
India. Said Nelly in part of a tribute
read at a condolence meeting held in
Bombay in January, “When Women’s
Lib was not even heard of. Goody en
couraged me to join his band as the
first lady accordionist Bombay has
ever heard of."
Goody never seemed to stop going.
Says son. Dr Jangoo Seervai, “His day
would begin at 7.30 in the morning
and sometimes end at 5.30 the next
morning.” Marzban says the musician
was “a very easy person to work with.
We used to rag him a lot, but he was
able to take jokes against himself.”
Though classical music was Goody’s
first love, “he was very keen on keep
ing up with the times, and always got
music and cassettes from abroad”
behind the Bandleaders Club, an as
sociation formed to get bandleaders
together in a friendly and co-operative
way to help each other when neces
sary. Begun with a membership of
says Jangoo. Nelly remembers going
with Goody and others to see the film
Rock, Around the Clock and how he
had disliked the music at first, but
“Goody loved all kinds of music and —
he adapted himself to it—as we ali just seven, it was Goody who got ^all
must. If we played waltzes now,
people would fall asleep! ” And
Goody well knew this. Whatever was
requested he played and indeed, for-
for just this reason.
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the hotel bandleaders to join, says
Nelly, who wonders what the associ
ation will do without him. In recent
years. Goody had been distressed by
what Nelly describes as “Parsi ‘band
leaders’ who are mere clerks and
know no music. They lie to people
about how much we (the established
bands) charge and when we are free
to play^—and offer to do so for Rs
350. Many people don’t know good
music and agree to this. The ‘band
leaders’ can often only play the tam
bourine. Goody wanted to do some
thing about this but I demurred until
it was too late.”
What made Goody the institution
he became? Says Marzban, “Goody
had warmth and the ability to project
it—and this is what we call person
ality.” Son Jangoo, who though a den
tist has now become a professional
musician and also plays the accordion,
says of his father, “He was not just
a musician, but a great entertainer.”
Goody is survived by his wife
Rupy, son Jangoo and daughter
Silloo Madan.
Naoshir S. Chenoy, Died: Naoshir S. Chenoy, 87,
prominent jurist and president of the
Parsi Zoroastrian Anjuman of Hyder
abad and Secunderabad and its last
Life Trustee, on 18 December 1977.
Bom in 1913, Goody graduated
from the Bharda New High School
and attended St Xavier’s College,
which he left to work in an income
tax office—a job he was to keep for
10 years. But music had always been
a part of his life. As a child he had
studied Indian music and the harmo
nium, then the violin, which he play
ed in the Bombay Symphony Orches
tra under Mehli Mehta. The accor
dion came naturally to him, “his fin
gers were used to the harmonium,”
says Jangoo, “so it was easy. He loved
that instrument.” Goody first worked
with Sebastion Vaz, then formed his
own group and by the Forties, when he
had married Rupy Maneckshaw and
the twins Jangoo and Silloo had been
born, he was a full-time musician,
also teaching music on the side.
Goody was also the guiding spirit Chenoy: a sense of the just
A
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W
Above are the photographs of the Parsi Air-India crew
members who lost their lives when the ill-fated Dubai-bound
747 crashed in the sea after take off from Bombay on
New Years Day. From left to right; Flight Purser
Add M. Dubash, 31; Hostesses Kamal Maneck, 22;
Jeroo Dinshaw, 24; Dilshad Mehta, 22; Kettu Paymaster,
25; Jeroo Nadirshah Kotwal, 25; Cherazade Kothak, 23.
Photographs of Flight Purser Kali M. Kotwal, 37; and
passenger Jal N. Dotiwala, his wife Dolly and their
18-month-old child who were bound for Dubai after
holiday in India, were unavailable.
s j-.
A condolence resolution passed by Shah and Shahbanu of Iran visited
the twin-cities anjuman noted Chenoy’s Hyderabad in 1956, he read out an
“yeoman service” to the community
and mentioned his “benevolence to
the poor.” A lawyer by profession, it
was through Chenoy’s efforts that the
Government of India “conceded in
allowing Zoroastrians the exemption
from obtaining a Probate and to be
brought on par with Hindus, Jains
and Buddhists”, notes a press release according to the press release, read
out “with characteristic determination
and a sense of what was just.”
Chenoy is survived by his wife
Soona.
99
sent by the anjuman, as it was also
due to his efforts that when “the pro
posal to shift the Secunderabad Courts
to Hyderabad was undertaken by the
State Government, the Secunderabad
Courts were allowed to be retained.”
A graduate of the Deccan College,
Pune, and University College, London,
Chenoy was called to the Bar and
practised at the Inner Temple before
returning to India to join the Nizams
High Court of Judicature in 1920 and
the Hyderabad Residency Bar the
following year. When someone re
marked that it had been a waste for
him to have studied in England as he
would not be able to practice in the
High Court where the language used
was Urdu, Chenoy was able to assure
them that he was fluent in the
language. A keen Free Mason, who
held the highest rank of Past Deputy
Grand Master of the Grand Lodge of
India, Chenoy was also a Persian
scholar and vice-president of the
Indian-Iranian Association. When the
address in Persian on behalf of the
Parsis of Secunderabad. In the course
of the address, Chenoy noted that the
Parsis there were very happy under
the rule of the Nizam, Mir Osman
Ali Khan Bahadur, a remark that
certain members of the community
wanted removed, but which Chenoy,
Died: Rattan S. Pochkhanawala, 56,
scion of a banking family and general
manager of the Central Bank of India,
the country’s largest bank before
nationalization; of a heart attack on
15 January 1978 in Bombay.
Remembered as a gentleman banker
by his associates, Pochkhanawala
served the bank founded by his father.
Sir Sorabjee, for 25 years. At a con
dolence meeting held at the bank’s
headquarters, the chairman of the
bank, P. F. Gutta and other leading
officials of the bank and the employ
ees’ union recalled the devotion, zeal
and dedication t— ----------------
Pochkhanawala’s career at the bank
and his self-effacing and unassuming
manner. K. J. S. Banaji, the bank’s
joint general manager and Homi
Jhaveri, joint secretary of the All India
Pochkhanawala: gentleman banker
Central Bank Employees’ Federation
_____ ___ ___ described him as “a friend to all” and
that characterized S. Bijai, general secretary of the union
referred to him as a “true Gandhian
in spirit.”
Pochkhanawala, who lost both his
parents while in his teens, studied at
the Bharda New High School and
47St. Pauls, London, earned a B.Sc. __2
from the London School of Economics Adoption Society,
and was called to the Bar before re
turning to India to join the Central
Bank as a junior officer in 1946. He
left in 1954 to work with the then Cooper and Jaloo Pochkhanawala.
Bombay State Financial Corporation
where he held the position of manag
ing director, before rejoining the Cen
tral Bank in 1962 as secretary, becom
ing assistant general manager in 1973 professor of English, on 3 February
and general manager the next year.
“Rattan enjoyed the creative pro
cess of banking. He always felt that students in Ahmedabad and was
money given at the right time to the
right person not only helped the indi
vidual but created more money and Through the Ages and Art and
(EAR) and president of the Indian held a masters degree in English and
’ .. Persian as well as a law degree, taught
Pochkhanawala is survived by his briefly at the Deccan College, Pune,
wife, daughter Meher, brother Noshir before beginning a 27-year-stint at the
and sisters Sheroo Kavarana, Mehroo Ahmedabad Gujarat College, after
~ ' - - - - - which says Daruwala, Mahatma
Gandhi invited him to teach at the
L.D. Arts College where he was head
of the department of English till his
retirement in 1966. He was awarded
an honorary D. Lit. from Gujarat
University in 1971, an occasion on
which several panchayats and
anjumans of Gujarat also honoured
him. The Gujarati poet, Kavi Nanalal
Iran and its Culture, Iran and India Dalpatram would, according to Mar-
shall, tell his admirers to “go to
helped the entire economy,” said his Morality. “He had a vast knowledge Davarsaheb if you are interested in
wife Pilloo, a noted sculptress. “He of history and religion and could take learning. He showers scholarship”,
believed the Central Bank had been a chance remark and talk brilliantly,” Though Davar rarely lectured out
left a great heritage it should work to says Jehan Daruwala, editor of The of Ahmedabad, he was there known
fulfil. On studying the old files, he
realized the progressive ideas his
father had had such as rural bank
ing, investment trusts, recurring de
posit and other schemes which today
are a reality.”
Aside from banking, Pochkhanawala
_ ' worked actively with the late Achama
Matthai who started the Bharat Sevak Congress held jn Teheran.
Samaj. He was joint treasurer of the
National Association for the Blind for
some years and at the time of his death
was vice-president of the Education,
Audiology and Research Centre
Phiroze Cowasji Davar, 85,
Persian history and
Died:
scholar of
literature and of comparative religion.
1978, in Ahmedabad.
Davar taught two generations of
author of several books, including
99
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48
“He
panchayats
of history and religion and could take learning,
a chance remark and talk brilliantly,” ~
says Jehan Daruwala, editor of The
Bombay Samachar and who attended not only to students but to the Tvlus-
Davar’s public talks in Ahmedabad
as a boy.
In 1956, at the invitation of the
Iranian government, Davar lectured on
Iranian culture in Iran and in 1966,
was a member of the Indian delega
tion to the Second World Zoroastrian
A well-
known orator, Davar “had a wonder
ful voice, clear and ringing,” says
lim and Hindu communities who often
asked him to talk on matters of inte
rest to them. According to Daruwala,
there had been a demand for Davar’s
book, Iran and its Culture to be pub
lished in English but though the aged
scholar approached “each and every
Parsi trust” for assistance in the
matter, he met with no success.
Davar’s books in Gujarati were all
Ratan R. Marshall, a friend of many published by Gujarati book societies,
years.
The Ahmednagar-bom scholar who
Davar is survived by his wife Soona
and daughter Armaiti.
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¦I
1Z QUIZ 5
LEARN and EARN
1. Which Parsi rose to eminence in the
court of the Peshwas?
2. What are the main themes of the
Bundahishn?
How much do you know about your
social, cultural, religious and eco
nomic heritage? Most Parsis are
brought up on myths which they
continue to believe till the dokhma.
To help readers gauge the extent of
their knowledge and also to keep
them informed and enriched, Parsiana
continues the Z-Quiz on behalf of
the sponsor of The Lost Generation
Essay Competition. The entry with
the highest number of correct answers
will receive Rs 75, the next, Rs 50
and the third, Rs 25. In case of a tie,
the amount will be split among the
winners.
Send your replies to The Editor,
Z-Quiz, C/o Parsiana,G.P.O. Box 892,
Bombay 400 001, by 31st -August
Answers will be published in the
next issue.
3. Which orchestra in the U. S. does
Zubin Mehta conduct?
4. How many initiatory ceremonies are
there for the Zoroastrian priesthood?
5. What is the sagdid ceremony?
6. Which town in India is named for a
great Parsi industrialist?
7. What is the literal meaning of
navjote?
8. What is the Yasna?
9. Who was the first qualified woman
architect in India?
10. Who built the famous palace com
plexes at Persepolis in Iran?
There were four winners with 10
correct answers, for both Z Quiz 3
{Parsiana, Oct.-Nov. '77) and Z Quiz
4 (Jan. '78). Z Quiz 3 winners are
Ms NavazWadia, K. D. Chargeman,
Sarosh Gherda and B. S. Surti. Z Quiz
4 winners are Ms Katie F. Seervai, K.
D. Chargeman, B. S. Surti and
Harvesp D. Sopariwala. In both cases,
the prize money has been divided
between the four winners. Z Quiz 3 Baghdad in 1020.
runners-up receive a copy of A. D.
Gorwala's book The Queen of Beauty
and other tales, gifted by the author;
Z Quiz 4 runners-up receive Piloo
Nanavutty's Fravarane (I Believe),
gifted by the Parsi Zoroastrian Asso
ciation of Calcutta. Below are solu
tions to Z Quiz 4.
1. How many kinds of fire are used to
consecrate an Atash Behram fire?
16 fires, ranging from that used in
the house of a ruling authority to that , - , .
from the household fire of any Zoro- British House of Commons were Dada- ration in January 1978, the chairman of
astrian, are used to consecrate an Atash t»hoy Naoroji (Liberal), Sir Mancherjee the BPP was ex-officio president of the
Behram fire. Bhownagree (Conservative), and Federation.
Shapurji Saklatvala (Communist).
2. Who was the first Indian to be
knighted ?
Sir Jamsetjee Jeejeebhoy (1783-1859),
received a knighthood in 1842 and a
baronetcy in 1857.
3. What is the Denkart?
The Denkart or “Acts of the Reli
gion”, is a large collection of informa
tion regarding the doctrines, customs,
traditions, history and literature of the
Zoroastrians, written in Pahlavi.
Books in to IX were discovered in
4. Who is the Chief of Staff of the
Indian Navy?
Admiral Jal Cursetji, who became
Chief of Staff in March 1976.
5. What are the names of the Amesha
Spentas?
Ahura Mazda, Vohu Manah, Asha
Vahista, Khshatra Vairya, Spenta
Armaiti, Haurvatat, Ameretatat.
9. Who is the president of the Federa
tion of the Parsi Zoroastrian Anjumans
6. Who were the three Indian M. P.’s of India?
at Westminister? Till the Bombay Parsi Panchayat
The three Indian members of the (BPP) ceased membership in the Fede-
British House of Commons were Dada- ] • • ’ ........ ’ -
7. What is the Din no Kalmo?
The Din no Kalmo (“Confession of
the Faith”) is a prayer in praise of the
Zoroastrian religion. The prayer notes
that the faith was received from Ahura
Mazda through the prophet Zoroaster.
The Din no Kalmo is always recited
during the navjote ceremony by priest
and child.
8. What is the nirang-din ceremony?
The nirang-din ceremony is the cere
mony of consecrating the urine of a
varasya (sacred white bull) and water.
Nirang is the urine of a varasya and is so
called because its use is generally ac
companied by the recital of a nirang or
prayer formula, the consecrated urine is
spoken of as nirang or nirang-din.
(The question was erroneously phrased
in Z Quiz 4, Parsiana Jan. ’78, as “the
nirang ceremony” instead of “the
nirang-din ceremony.”)
and Federation.
10. Which dynasty did King Jamshid
belong to?
The Pishdadian dynasty.
49r
li
COMMENT
Sahebji, Hello
by Dr. Ratan Marshall
“Because you are a Parsi do not
hesitate to give credit to your ances
tors for their excellent pioneering
work (in the Gujarati language).
Educated people today may mock
‘Parsi Gujarati’ and criticise the in
correct use of the language, but if they
had not done what they did years ago
it would have taken years for the _ _______________
Gujarati language to develop. Gujarat which continue" today. With a view to
will ever remain grateful to the Parsis ..................
for their contribution.” The Gujarati
literary giant, Balvantraj Thakore said
these words to me while I was re
searching my dissertation on the
“History of Gujarati Journalism.”
Parsis were the first to cut Gujarati
type, the first Gujarati printing press
was founded by a Parsi and the first ___ ____ ____,___
Gujarati books, calendar (Panchang) still is, a considerable difference in the
and newspaper were printed, published
and edited by Parsis. Strained finan
cial conditions and lack of proper cellent facilities for the study of
facilities were obstacles that did not English. Parsi students in this state
sto_p this pioneering work. receive their education in the English
medium and read, write and speak
fluent English. The community even
thinks it necessary to provide prayer
books in English for their benefit. The
fact that their interest in Parsi nataks
is not extinguished allows one to sur
mise that their knowledge of Gujarati
is just sufficient to understand these
plays. Parsis living abroad are even
more removed from the language and
their use of it even more limited.
The situation in Gujarat is quite
different. While a fair percentage of
- - the Parsi population there is taking
population shifted to Bombay. The advantage of the few educational in
Parsis, of all the peoples in this vast stitutions that use the English medium,
country, came to be the group most the language used in the homes of
affected by Western ideas, language these students continues to be Gujarati,
and way of life. When the British They have not forgotten their mother
became the masters of India, the Parsis '
were among the most educated and
proficient in English. This gave them
an advantage which they continued
to enjoy all through the raj. To read,
write and speak good English became
a much desired attainment for the
Parsis and indeed it was with pride
that some of them would say, “We do
not know Gujarati at all.”
After India became independent,
there began experiments in education
the solidarity of the country, the port
folio of education should perhaps
have been with the central govern
ment. It however remained with the
states, resulting in a multitude of
educational policies, varying from
region to region. The Parsi population
was, and still is, centered in Maha
rashtra and Gujarat. There was, and
- - ----------------------------- --------
educational systems of the two states.
In Maharashtra there have been ex-
facilities were obstacles that did not English,
stop this pioneering work.
Today in contrast. Parsis speak
little Gujarati and read and write even
less. Sometimes before addressing a
gathering, the speaker is requested to
use English and not Gujarati. How
did this change come about?
The Parsis originally lived mainly
in and around Surat, then the centre
of commerce and industry in India,
where they came in close contact with
foreigners, particularly the British.
When the latter left for Bombay, Parsis
followed in large numbers and with
the passage of time the centre of Parsi
tongue and one hopes they never reach
that point.
But Gujarat is an exception and
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i
Ibnete Parsis liw, one is forced to ask: - aflame to ntor
|>ii Parsis afford to completely neglect such a Icwig ^®
piijarati? Zoroastrian prayers and ’
nooks explaining the meaning and
al
such opportunities every now ^d wn
so that we can follow the language
better each time.” At a conference in
Secunderabad, the president remarked,
“The speaker has been allowed to ex
ceed the time limit so that people
present may hear good Gujarati.”
But while addressing meetings of
the Federation of Parsi :^roastrian
Anjumans of India, the writer had a
very different experience, being once
told that he should not continue speak
ing in Gujarati. It was painful to
realize that there are Parsis who do not
want one to talk to a gathering of Parsis
in their mother tongue. If this trend
continues, we will not only deprive
those who wish to understand and
keep abreast of what little Gujarati
they know, but we will help to ex
tinguish all knowledge of the language.
a. 4 a '¦ *1-----
itself, and is considered to be, educated
and cultured, afford not to have a
language of its own?
[I pride in the ignorance of it.
h The writer, while addressing fellow Dr Raian Marshall, a doyen of tne
¦ Zoroastrians in different parts of the Gujarati language, is the Special
_____ _____ _ -.-I____ Officer of the Surat Parsi Panchayat.
b On his speaking before them in simple A Gujarati version of the above
’ » but pure Gujarati, he was not only article appeared in the Kaiser-I-Hind
heard patiently but often members of Annual. 1977.
( philosophy of these prayers are in
Gujarati; hundreds of books on Parsi
WTr Towr
luMbMW
Public School
Nasik 2
history are also in this language. Will
it be possible to translate all these into
English? Who will undertake to ex
ecute this difficult task and at what
dard works may be translated and
published in English and new books
written in that language.^ Moreover,
there is always the possibility in India,
of a situation in the near or distant
future when English will not hold ffie
importance it does today and the tide
turn in favour of the national lan
guage. Hindi or the regional Ian-
Taking all these factors into con-
^iing“"parsr should certainly study Can a community which considers
that he or she should cultivate a com-
! expense? At the most, a few stan-
T -
/ guages.
Taking all these factors into con
sideration, it seems that while the
r
f
I
English thoroughly, it does not mean
that he or she should cultivate a com-
plete disregard for Gujarati or take
pride in the ignorance of it.
The writer, while addressing fellow
Zkjroastrians in different parts of the
t country, had many happy experiences.
t
b
»>
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