Homyar Mistry

I love this stained glass image at Bandra’s Tata Agiary (left) selected for a Parsiana cover. There is so much of history behind this image: how the Agiary’s entrance got reversed; how the huge stained glass got installed; how it later developed a crack which still shows; and finally the humorous part when in the printing process Zoroaster’s image got reversed with the left hand finger pointing up instead of the right.

A wedding within an Atash Behram (below) may be devoid of pageantry but the intimate ceremony in the presence of close family and friends makes it an event a couple likes to cherish with lasting memories.